Amid the tables and the
chatter of guests
falls a comfortable
hush, and deep-despised
Sweeney stands with a
glass of stout,
and the oracles
and judgments of his
god—lifting glass,
composes self (a
crooked smile,
sneering voice), coughs
once, begins attack:
Boston Brahmin,
dressed in black,
the nat’ral aristocracy,
inherits merit
from ancestral bone
and transplanted virtue
in the earth.
Past midnight,
with his mistress,
professes love:
Sounding notes upon your fingers,
it is impossible
that this body should die, I
love you like fire from my atom heart.
Impossible to die, yet Beatrice was not
beloved for body (Oho! says Sweeney,
shining, think’st me unschooled? No, but
I have seen your secrets, tender secrets,
and I have weighed them slight), and how
then shall I love you so while you yet live?
How shall a love like ours not flee the
fearful summons, the rising light?
Adieu, adieu, adieu, je t’aime.
So, saith Sweeny, our Brahmin goes
out in shadow, fearing like a guilty thing
to be taken by the dawn rising on
th’Everlasting Day.
To courtly
love!,
Sweeney says, drains
his foaming glass.
He sits, in time the
moment’s past.
The joke finds no
approval in his companions’ eyes,
but Sweeney sits smiling, by many there deeply despised.
but Sweeney sits smiling, by many there deeply despised.
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